This my personal equipment list, all gear listed here can be available during my studio sessions in addition to the standard equipment available in the studio.
(Prior Notice & Arrangement Required)
Rack Gear
- Aphex 207D - [Stereo Valve Microphone Pre-Amp]
The Model 207D is an audiophile quality tube mic preamp that meets or exceeds the performance of preamps costing many times more. The Model 207D will reveal the subtlety and power of vintage condensers, ribbons, electrets, and popular dynamic mics. Even the world's most respected microphones will sound better. Plus, with its AES/EBU and S/PDIF digital outputs and Word Clock connection, the Model 207D offers direct digital connection throughout your signal chain, with up to 96kHz sampling rates.
The instrument inputs on the Aphex Model 207D also are quieter and have more gain, than conventional instrument preamps. The MicLimT circuitry, previously only available in Aphex's flagship Model 1100 2 channel and Model 1788 8 channel mic preamps, makes the Model 207D virtually crashproof - making it a perfect front end for digital recorders.
- Apogee Mini-MP - [Stereo Microphone Pre-Amp]
An amazing sounding, portable mic-pre that is an ideal addition to Apogee conversion systems, mobile studios and pro recording facilities. The Mini-MP gives you Apogee quality, without compromise, that you can take anywhere.
The unit features two individual ultra-fast, high gain and low distortion preamps and has been specially designed for both field and studio recording, resulting in a premium preamp with low power consumption.
- Apogee ROSETTA 800 192 - [8-channel, 24bit/192kHz AD/DA Converter]
The most crucial process in the digital recording environment is high-quality analog to digital conversion and the most trusted and desirable converters are made by Apogee. With up to 192k standard sample rates, the ROSETTA 800 combines Apogee’s legendary conversion quality with flexibility that complements any digital audio workstation.
Legendary Apogee Conversion in High-Definition!
- Audient ASP008 - [8 Channel Variable Impedance Mic Pre]
The Audient ASP008 is a compact, 1U rack mount unit featuring eight ultra high quality mic preamplifiers developed from the renowned mic-pre design used in the acclaimed ASP8024 recording console.
The Audient ASP008 features an 8 transistor discrete Class A front end with extended band-width and a noise floor close to the theoretical Johnson limit. Carefully chosen close tolerance components are used to achieve high CMRR at all gain settings and distortion is minimised to less than 0.001% at 20dB gain and +10dBu output. This outstanding technical performance delivers a mic amp with incredible transparency and detail without colouration or other unwanted artefacts.
Each Mic amp also features switchable input impedance, allowing the user to explore the subtle variations in microphone character that are determined by output termination.
All channels include an XLR input, soft start 48V phantom power, switchable input impedance, 25-250Hz hi-pass filter as well as line input selection. Channels 1 and 2 also feature a -20dB attenuator and a high-impedance Instrument/DI input on a front panel mounted jack. LEDs provide indication of signal present and overload.
- Audio Accessories - [96 Way Bantam/TT Patchbay]
- Digidesign 96 I/O - [24-Bit/96kHz Multi-Channel Audio Interface for Pro Tools|HD]
The Digidesign 96 I/O offers Pro Tools users a high- resolution, multi-channel audio interface with excellent sonic performance. A 16-channel audio interface for Pro Tools|HD, 96 I/O features a wealth of I/O options, including 8 channels of high- definition analog I/O, 8 channels of ADAT optical I/O, 2 channels of AES/ EBU and S/PDIF I/O, and Word Clock I/O
- Lexicon MPX 1 - [Multi-Effects Processor]
The MPX 1 Multi-Effects Processor fulfills the promise implied by the term "multi-effects." When summoned to do their best reverb, most single DSP multieffect processors run out of gas — you don't get additional effects. The MPX 1 has Lexicon's own proprietary Lexichip, dedicated to delivering uncompromised Lexicon stereo reverb or ambience, in addition to another processor to create the other digital effects. So you get your best reverb, at all times, along with as many as 4 additional stereo effects.
- Powerplay Pro-XL - [4 Channel Headphone Distribution Amp]
- Rane SM82 - [16 Channel Stereo Mixer]
The Rane SM 82 is a product offering incredible power and versatility. It is the equivalent of a sixteen channel mixer in one
rack space.
- Switchcraft TTP96ASFN - [96 Way Bantam/TT Patchbay]
- Yamaha Rev500 - [Classic Studio Reverb]
Reverbation unit with DSP3 Engine.
Guitar Pedals
- Boss GE-7B - [Bass Equalizer]
- Boss NS-2 - [Noise Suppressor Pedal]
Eliminate unwanted noise and hum without altering your tone. A unique noise detection circuit preserves the natural attack and envelope, leaving your playing and dynamics intact.
- Ibanez TS-808 Tube Screamer - [Carbon Composition Resistors Brown Mod, More/Less Drive Mod & More Bass Mod]
- Marshall JH1 Jackhammer
- Peterson StroboStomp 2 - [The most accurate tuner money can buy, also with 100% true bypass.]
- Radial Tonebone Classic Trimode - [Tube Distortion / Overdrive Pedal]
The Radial Tonebone Classic Trimode is the most progressive pedal ever!
Trimode gives you instant access to superb clean, rhythm and lead tones without tap dancing. And tone you will receive. Based on the heritage of America's finest tube amplifiers, the Trimode delivers five generations of tone from the slight overdrive of early rock & roll to blistering power tones of today's high gain amps.
Following the award-winning Tonebone Classic, the Radial Tonebone Classic Trimode combines the warmth and even harmonics of a 12AX7 tube with our unique dual-stage drive for the natural dynamics and response of a vintage tube amp.
As the name implies, Trimode has three settings: 'True Bypass Clean Mode' for the natural tone of your guitar - direct to your amp; 'Rhythm Mode' with input drive, output gain and our unique Interstage™ drive to precision-tune the mayhem you are about to unleash; and 'Solo Mode' with its own input drive, output gain, and mid boost for days of sustain. Trimode goes even further with a built-in effects loop on the solo channel that lets you instantly engage a delay or pedal chain with a single foot action.
Radial Tonebone Classic Trimode: 3 modes, huge tone and amazing dynamics – finally, a pedal that sounds and feels like a real tube amp!
Radial Tonebone Classic Trimode main features include:
* True bypass clean mode
* Dynamic rhythm distortion mode
* Sustaining lead distortion mode
* 12AX7 tube for natural overdrive tone
* Effects loop on lead solo channel
- Radial Tonebone Switchbone - [AB-Y switcher with Exclusive Drag™ control pickup load correction]
- Rocktron Zombie Rectified Distortion Pedal
With a monstrously heavy sound, the Zombie creates a rectified asymmetric distortion with user control of the symmetry balance of the distortion output waveform.
- Tone Jam FX Stealth Black Sniper GE-7
Guitar Amps
- Marshall MF350 - Mode Four Head - [Dual Amplifier with Four Modes]
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The Mode Four MF350 has four different modes to switch between. Attitude, stunning good looks and an incredible 350 watts of brutal yet toneful power set the MODE FOUR apart from all other amps. Add to this an arsenal of great sounds, a slew of professional features plus groundbreaking, state-of-the-art hybrid technology and you have a Marshall like no other.
- Peavey Classic 50/50 - [8 X EL84 All Tube Poweramp]
This is a monstrous all valve rack mounted power amp for guitar with 8 x EL84 valves in it.
It's also the perfect partner to the Peavey TubeFex Valve Pre Amp
- Peavey Musicians Series 1978 - [A truly classic Peavey Amp]
- Peavey Triple XXX - [The ULTIMATE tone machine.]
As hot as the name implies, the XXX® rips. An amp not for the faint of heart, 120 watts, utilizes four 12AX7 preamp tubes and four 6L6GC power amp tubes.
- Peavey TubeFex Valve Pre Amp - [2 X 12AX7 Valve Guitar Pre Amp]
This is a stunning valve guitar pre amp that uses 2 X 12AX7's and is still the secret weapon of so many famous metal & rock guitarists it's embarrassing...
These things weren't exactly cheap when they first came out, which meant most folks couldn't afford them 10 years ago, never mind the Classic 50/50 to go with it, now they are as rare as hens teeth & super hard to find because when someone manages to get hold of one they never want to sell it...
Mic's
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- 1 x Rode NT2000 - [Variable Pattern Large Diaphragm Condensor Microphone]
- 1 x sE R1 - [Ribbon Mic]
- 1 x sE Reflexion Filter
- 1 x Sennheiser MD421 II
- 1 x Shure Beta 57A
- 1 x Shure SM 58
- 2 x Rode NT5's - [Matched Pair Condenser]
- 3 x Shure SM 57
- 4 x Audio Technica KP's
Re-Amping
- Radial X-Amp - [Active Re-Amplifier]
Monitoring
- 2 x Adam P33A - [3 Way Active Nearfield Studio Monitors ]
The Adam P33A 3 way Active Nearfield Monitors are designed for applications where deeper bass and louder volumes are needed, ideally suited for professional recording and broadcast facilities.
One woofer acts as a full-range driver with the second woofer joining it only below 150Hz. This unusual approach effectively doubles the area and power of the woofer when it needs to respond to deeper frequencies, resulting in an exceptional low end without compromising midrange performance. The P33A is a shielded near/midfield monitor and has three 100W amplifiers that deliver outstanding dynamic performance. It can be used either horizontally or vertically, so that very flexible positioning within the studio is possible. Featuring superb imaging as a result of ADAM’s proprietary A.R.T. (Accelerated Ribbon Technology) folded ribbon tweeter, the P33A is ideally suited for professional recording and broadcast facilities.
The tweeter is the same in all Adam monitors. You get the same superior resolution above 2 kHz from these monitors that sets all Adam loud speakers apart from their competitors and by applying moderate equalization to the low end nearly an additional octave in bass response is achieved compared with a passive system. The P-33A woofers and tweeter are each powered by separate 100W RMS amplifiers and are actively crossed over at 150 Hz/1.8 kHz. The system's frequency-response has highs extending all the way to 35 kHz and lows down to 34 Hz (±3 dB).
- 2 x Beyerdynamic DT100 - [Isolating Studio Headphones]
- 2 x Yamaha HS50M - [High-Resolution, Biamp 2-Way Powered Reference Studio Monitors]
- Beyerdynamic DT150 - [Isolating Studio Headphones]
- Goldpoint SA2X - [Balanced Line Precision Stepped Attenuator]
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Monitor Volume Control & Switching
- Grado RS-1 - [The RS-1 is the Masterpiece of the Grado Headphone Collection]
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Featuring handcrafted Mahongany earpieces made using an intricate curing process, Grado has been able to optimize the tonal quality. The RS1 uses dynamic transducers in an open-air configuration, the cups being open-backed. The result is a smooth, coherent sound with detailed dynamics. Frequency response ranges from 12-30 kHz and the drivers are matched to 0.05dB. Weighing 9oz, the headphones are an example of the wonder of mother nature with a gorgeous, honey-colored look.
- Sennheiser HD25 - [Professional Monitoring Headphones]
- Yamaha HS10W - [High-Resolution, Powered Reference Studio Subwoofer]
Plug-in's
- Ampeg® SVX - [IK Multimedia]
A legendary bass sound from the leaders in bass amplification and modeling technology. Ampeg has made history with its bass amp sound, and now sets the future standard with this premier software plug-in. Made in conjunction with IK Multimedia, the leader in software modeling technology, this utility sports Ampeg’s legendary signature tones.
Complete bass-rig plug-in with multiple amps, cabinets, stomps and tuner. Mix and match between amps and cabinets of the most sought-after Ampeg gear to produce 24 amazing bass amp combinations. Plus, you’ll have a complete bass pedalboard with 6 fully configurable stomp effects. In addition, select among 8 classic bass effects crafted after classic Ampeg stomps and other must have vintage gear. Add a tuner and separate direct/amped signal path for a complete software bass rig.
Ultra accurate modeling of the most sought-after Ampeg gear, with unique DSM™ technology, “Powered by AmpliTube”. Over 20 bass gear emulations, including classic Ampeg bass amp models like the SVT-Classic, B-15R Portaflex “Flip Top”, BA-500 and SVT-4PRO. Select from Ampeg stomps like the SPC-OCT Octaver or the SCP-OD Overdrive, or cabinets like the SVT-410H or SVT-810E, powered by AmpliTube’s unique DSM™ (Dynamic Saturation Modeling) technology.
- Aphex Aural Exciter and Big Bottom Pro Bundle - [TDM]
Since its introduction in 1975, the patented Aphex Aural Exciter has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations. Big Bottom works on bass frequencies and adds low-end presence and punch without increasing peak level. This allows you to pack more bass into your mix without overloading amps and recorders or blowing up speakers.
- Celemony - Melodyne Plug-In - [Vocal Pitch Correction, Intonation and Timing Editing]
Melodyne plugin offers Melodyne‘s unique functions for the editing of pitch and timing as a plug-in directly integrated into Pro Tools. The main application area of Melodyne plugin is the intuitive correction of the pitch and timing of notes in vocal recordings—a demanding task that Melodyne software handles excellently and in a highly musical fashion for which it has been acclaimed the world over. With Melodyne plugin you can also edit and optimize single-voice instrument recordings as well as drum and percussion tracks in an extraordinarily flexible manner.
- Digidesign - Bombfactory - BF76
Modeled after one of the most popular dynamics processors in the industry — the renowned 1176 solid state compressor. The Bomb Factory BF76 plug-in’s true-to-form representation of the original in terms of both sound and operation (including the "all four buttons depressed" setting) must be experienced to be believed.
- Digidesign - Bombfactory - Clip Remover
The BF Essential Clip Remover repairs clipped audio recordings. That red light no longer means a blown take! You'll be amazed how quickly this essential tool can repair clipped recordings. Best of all, it's much quicker and more accurate than using the pencil tool. Set your levels very carefully. But when your signal gets too excitable, try the BF Essential Clip Remover.
- Digidesign - Bombfactory - Correlation Meter
Solve tracking and mix problems, and troubleshoot phase coherency with the BF Essential Correlation Meter. It works on stereo tracks or stereo submixes. Use it to stop phase problems before they start.
- Digidesign - Bombfactory - Funk Logic Mastererizer
Lo-fi sound effects plug-in developed by Bomb Factory and Funk Logic
- Digidesign - Bombfactory - Meter Bridge
The BF Essential Meter Bridge provides best-of-breed VU metering on any channel while using minimal DSP resources. Enjoy the ease of use afforded by a needle, a big meter, and a faithful emulation of the decades-old standard for meter ballistics. Select RMS or Peak metering, and calibrate instantly for useful viewing at any signal level, just like a pro tape machine.
- Digidesign - Bombfactory - Noise Meter
The BF Essential Noise Meter is three meters in one:
1) Set to "A," it's an A-weighted noise meter
2) Set to "R-D," it's a Robinson-Dadson equal-loudness meter
3) Set to "None," it's a VU meter with 100 dB of visual range
- Digidesign - Bombfactory - Tuner
Even though some quality plug-ins exist that give you access to a whole slew of guitar amps, cabinets, and effects, you still need to have a tuned instrument going into it. Why complicate things with another hardware device? Enter the BF Essential Tuner. In addition to tracking more accurately and tuning faster than any of those battery-eating handheld gizmos, it’s more convenient than rackmount tuners.
- Digidesign - DigiRack - Chorus
- Digidesign - DigiRack - Click
- Digidesign - DigiRack - DigiReWire
- Digidesign - DigiRack - Dither
- Digidesign - DigiRack - D-Verb-AS
- Digidesign - DigiRack - D-Verb™
- Digidesign - DigiRack - Dynamics II
- Digidesign - DigiRack - EQ II
- Digidesign - DigiRack - EQ III
- Digidesign - DigiRack - Flanger
- Digidesign - DigiRack - Invert/Duplicate
- Digidesign - DigiRack - Mod Delay II
- Digidesign - DigiRack - Multi-Tap Delay
- Digidesign - DigiRack - Normalize-Gain Change
- Digidesign - DigiRack - Ping-Pong Delay
- Digidesign - DigiRack - Pitch
- Digidesign - DigiRack - Reverse-DC Removal
- Digidesign - DigiRack - Signal Generator
- Digidesign - DigiRack - Stereo Mixer
- Digidesign - DigiRack - Surround Mixer
- Digidesign - DigiRack - Time Comp-Exp-Pitch Shift
- Digidesign - DigiRack - TimeAdjuster
- Digidesign - DigiRack - Trim
- Digidesign - DigiTranslator 2.0
DigiTranslator 2.0 delivers reliable, accurate conversion and exchange of OMF, AAF, and MXF audio files, video files, and sequences directly through the Pro Tools application. With DigiTranslator 2.0, the complex process of file interchange is made simple and dependable.
Developed in collaboration with working post production audio engineers, DigiTranslator 2.0 is packed with sophisticated conversion options. It allows translation of Avid volume data, a choice between rendered audio effects or untreated sources, options for media copying and consolidation, and export of MXF audio files.
- Digidesign - DINR - [Digidesign Intelligent Noise Reduction Plug-in]
- Digidesign - Eleven - [TDM]
Digidesign® Eleven™ is a powerful TDM/RTAS®/AudioSuite™ plug-in that sets a new standard for recording and live guitar amp sound. Eleven allows you to achieve highly realistic, jaw-dropping guitar tones based on the world’s most coveted vintage and modern tube amps, speaker cabinets, and mics — all right in your Pro Tools rig.
Developed using an innovative new amp modeling technique, Eleven gives you instant access to an amazing collection of sought-after sounds based on classic Fender®, VOX®, Marshall®, Mesa/Boogie®, and Soldano amplifiers.* Simply call up a preset to immediately re-create a hit-making guitar tone, or design your own signature sound by mixing and matching amps, speaker cabinets, and mic models — all captured at their best in a world-class studio.
Guitar Amp Models
The amp models in Eleven are based on the following original vintage and modern guitar amps (Eleven also includes two Digidesign custom amps):
- ’59 Fender® Bassman®
- ’59 Fender® Tweed Deluxe
- ’64 Fender® Black Face Deluxe Reverb® Normal Channel
- ’64 Fender® Black Face Deluxe Reverb® Vibrato Channel
- ’66 VOX® AC30 Top Boost
- ’67 Fender® Black Face Twin Reverb®
- ’69 Marshall® 1959 100 Watt Super Lead Plexiglas Head
- ’82 Marshall® JCM800 2203 100-Watt Head
- ’85 Mesa/Boogie® Mark IIc+ Drive Channel
- ’89 Soldano SLO100 Super Lead Overdrive Head Clean Channel
- ’89 Soldano SLO100 Super Lead Overdrive Head Crunch Channel
- ’89 Soldano SLO100 Super Lead Overdrive Head Overdrive Channel
- ’92 Mesa/Boogie® Dual Rectifier® Head Vintage Channel
- ’92 Mesa/Boogie® Dual Rectifier® Head Modern Channel
- Digidesign Custom Vintage Crunch
- Digidesign Custom Modern Overdrive
Speaker Cabinet Models
The speaker cabinet models in Eleven are based on the following original speaker cabinets:
- ’59 Fender® Bassman® 4x10” with Jensen P10Qs
- ’59 Fender® Tweed Deluxe 1x12” with Jensen P12Q
- ’64 Fender® Black Face Deluxe Reverb® 1x12” with Jensen P12N
- ’66 VOX® AC30 2x12” with Celestion Alnico Blues
- ’67 Fender® Black Face Twin Reverb® 2x12” with Jensen C12Ns
- ’68 Marshall® 1960A with Celestion G12H “Greenbacks”
- ’06 Marshall® 1960AV 4x12” with Celestion Vintage 30s
Microphone Models
The microphone models in Eleven are based on the following popular mics:
- Shure SM7 Dynamic Microphone
- Shure SM57 Unidyne III Dynamic Microphone
- Sennheiser MD 409 Dynamic Microphone
- Sennheiser MD 421 Dynamic Microphone
- Neumann U67 Condenser Microphone
- Neumann U87 Condenser Microphone
- AKG C 414 EB Condenser Microphone
- Royer 121 Ribbon Microphone
- Digidesign - Moogerfooger 12-Stage Phaser - [TDM]
The Moogerfooger 12-Stage Phaser combines a switchable 6- or 12-stage phaser with a wide-ranging, variable LFO. Start with subtle tremolo or radical modulation effects, then crank the distortion and resonant filters for unbelievable new sounds — all with the signature classic Moog sound.
- Digidesign - Moogerfooger Analog Delay - [TDM]
The Moogerfooger Analog Delay is simply the coolest (and warmest!) delay in the digital domain. Due to component shortages, fewer than 1,000 of Bob Moog's "real-world" version will be made. Bomb Factory snagged serial #1 and, as always, meticulously modeled every detail of the classic analog design. Wait until you hear it!
- Digidesign - Moogerfooger Ring Modulator - [TDM]
The Moogerfooger Ring Modulator's wide-range carrier oscillator and dual waveform LFO mean motion on rhythm tracks and radical low-fidelity textures.
- Digidesign - MP3 Option
- Digidesign - Pro Tools|HDpack 2 - [Moogerfooger Lowpass Filter - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Line 6 Amp Farm - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Bomb Factory® BF-3A - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Cosmonaut Voice™ - TDM]
- Digidesign - Pro Tools|HDpack 2 - [D-Fi™ - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Focusrite d2™/d3™ - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Maxim™ - TDM]
- Digidesign - Pro Tools|HDpack 2 - [JOEMEEK VC5™ Meequalizer® - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Virus Indigo - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Voce® Spin™ - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Tel-Ray® Variable Delay - TDM]
- Digidesign - Pro Tools|HDpack 2 - [Voce Chorus/Vibrato - TDM]
- Digidesign - Pro Tools|HDpack 2 - [SansAmp PSA-1™ - TDM]
- Digidesign - Pro Tools|HDpack 2 - [JOEMEEK® SC2™ Compressor - TDM]
- Digidesign - Pultec EQH-2 - [Analog EQ Simulator Plug-in - TDM]
- Digidesign - Pultec EQP-1A - [Analog EQ Simulator Plug-in - TDM]
- Digidesign - Pultec MEQ-5 - [Analog EQ Simulator Plug-in - TDM]
- Digidesign - Reel Tape Suite - Reel Tape Delay - [Analog Tape Emulation Effects - TDM]
Psychedelic, Dub, and Electro music styles are hotter than ever, and the warm, ear-pleasing sound of tape-based delay has never been more relevant. Reel Tape™ Delay emulates analog tape echo and delay effects with expertly modeled frequency response, noise, wow and flutter, and distortion characteristics. Reproduce fluctuations in tape speed — both small and large. Even get the full effect of adjusting tape speed during the record/playback process. Delays are fully adjustable over a wide range, and because EQ and detailed level control are built into the echo/delay loop, the feedback controls allow you to dial-in a variety of effects, from tastefully subtle to over-the-top.
- Authentically modeled analog tape echo and delay effects
- Reproduce the fluctuations in tape speed
- Adjust delays from 93 ms to 1,486 ms (1-7/8 ips to 30 ips)
- Feedback control adjusts the amount of delayed output fed back into the input
- Wow & Flutter controls adjust tape speed fluctuation
- Bass and Treble controls in the echo/delay feedback loop allow for subtle to extreme feedback and saturation effects
- Digidesign - Reel Tape Suite - Reel Tape Flanger - [Analog Tape Emulation Effects - TDM]
The reason why most flanger effects sound unconvincing is because the studio technique that they imitate is dependent on so many real-world factors. Reel Tape™ Flanger thoroughly models the tape flanging process and hardware characteristics, and provides an arsenal of controls for shaping the output in real time. The results are as close as you can get to the real thing — and a lot easier to use! The sonic characteristics of frequency response, noise, wow and flutter, and distortion are captured in detail and applied to a variety of tape speed and delay control options. Infamously difficult manual flange and artificial double-tracking (ADT) techniques are simple to re-create. Simply adjust the variable delay manually (or use the LFO and Depth controls) and listen to the captivating frequency sweep and “crossover” cancellation effects heard on so many classic recordings. You also get easy access to tape speed fluctuation and feedback controls.
- Accurately reproduce analog tape machine flanging
- Adjustable speed control allows for manual flanging and artificial double-tracking effects
- Feedback control adjusts the amount of flanged output fed back into the input
- Wow & Flutter controls adjust tape speed fluctuation
- LFO Rate and Depth settings control the speed and depth of the flanging effect
- Digidesign - Reel Tape Suite - Reel Tape Saturation - [Analog Tape Emulation Effects - TDM]
Re-create the classic analog recording experience. Reel Tape™ Saturation emulates the color characteristics, tape compression, and saturation effects of popular analog tape formulations, including the classic Ampex 456* and higher-output Quantegy GP9*. It also features carefully modeled characteristics from renowned tape machines such as the 3M M79* and Studer A800*. Enjoy full control over tape speed, hiss, bias, and calibration levels — and forget about cotton swabs, rubbing alcohol, and razor blades!
- Bring the warmth and punch of analog tape color and saturation into the digital domain
- Phase and frequency response characteristics modeled from three types of analog tape machines
- Saturation effects modeled from two popular tape formulations
- Control the tape speed effect from 7.5 to 30 ips (inches per second)
- Noise controls adjust the amount of tape hiss
- Bias controls simulate the effect of under- or over-biasing the tape machine
- Cal Adjust control simulates the effect of three common calibration levels
- Digidesign - SignalTools
- Digidesign - Smack - [Foolproof Compressor and Limiter Plug-in]
- Digidesign - Sound Replacer - [Drum Hit and Sound Replacement AudioSuite Plug-in]
SoundReplacer allows you to replace or mix an existing audio track with new samples from your sound library. SoundReplacer allows you to retain the original feel by matching the timing and automatically adjusting the dynamics of the replacement sound to match the changing levels of the original performance.
Up to three separate samples can be used to blend with or completely replace an original performance. Variations in amplitude within the performance determine which sample is triggered at a given time.
- Digidesign - TL Drum Rehab - [Drum Replacement for Pro Tools]
TL Drum Rehab™ offers a comprehensive set of tools to enhance or replace original drum recordings precisely, automatically, and in real time.
- Digidesign - TL Utilities - TL InTune - [TDM]
A professional tuner with the performance of a rack-mounted digital tuner and the convenience of a Pro Tools plug-in.
- Digidesign - TL Utilities - TL MasterMeter - [TDM]
The first over-sampling meter for Pro Tools, designed for critical mixing and mastering applications.
- Digidesign - TL Utilities - TL Metro - [TDM]
A versatile metronome that makes it quick and easy to create a click track.
- Digidesign A.I.R. - Hybrid - [High-Definition Synthesizer for Pro Tools]
For those sound buffs who love to get their hands dirty, Hybrid is a high-definition software synthesizer plug-in that combines the warmth of classic analog waveforms with digital wavetables, enabling you to recreate sounds you remember or create something that no one’s heard before. It features a full range of analog and digital sounds, plus a deep set of user-adjustable parameters for your tweaking pleasure, empowering you to create richly complex and unique sounds in the studio or on stage.
- Digidesign A.I.R. - Structure - [Professional sampler workstation for Pro Tools]
Developed by the acclaimed Digidesign® Advanced Instrument Research (A.I.R.) group and optimized exclusively for Pro Tools®, Structure™ is a powerful RTAS® virtual instrument that redefines the art of sampling, allowing you to freely create, sculpt, and refine everything from simple acoustic instruments to highly complex soundscapes with amazing ease — in real time.
Structure comes with an extensive library of high-quality sounds from A.I.R. and EastWest, welcomes the use of your own sample libraries, and lets you create your own samples directly from your Pro Tools sessions via drag-and-drop. It also features an impressive universal sound engine with support for an unlimited number of nestable patches, optimally manages sample streaming along with Pro Tools playback, and includes a powerful multi-effects processing engine. Whether you’re a musician, sound designer, audio engineer, or post-production editor, Structure offers superior playability and performance.
- Digidesign A.I.R. - Xpand! - [Sample-Playback/Synthesis Workstation for Pro Tools]
Built for songwriters, film composers, DJs, electronic musicians, music producers, and sound designers, Xpand! is a sample-playback/synthesis plug-in that provides fast ways to access and manipulate thousands of high-quality sounds from within Pro Tools. With its 1,000+ presets, multi-synthesis engine, sample playback, virtual tonewheels, and effects processing capabilities, Xpand! is a sonic powerhouse that enables you to craft anything from pristine-sounding acoustic instruments to complex synthesized soundscapes or loop-driven techno tracks.
- Digidesign ReVibe - [Room Modeling Reverb]
ReVibe is a powerful room-modeling TDM plug-in exclusively designed to take advantage of the supercharged processing capabilities of HD Accel PCI cards. The 96 kHz optimized ReVibe provides nine reverb algorithms combined with hundreds of room reflection models. With its intuitive user interface and detailed controls, ReVibe handles nearly any reverberation task with ease.
ReVibe supports up to 5.x Pro Tools multichannel formats, and includes independent reverb, early reflection, and level controls for the rear channels. Rear-channel reverb controls may also be used in mono or stereo instances, providing more presence and density to the reverb character.
ReVibe’s ability to accurately represent a room’s sound or ambience enables it to offer highly-detailed models of a number of real spaces as well as springs and plates — making it a perfect complement to Reverb One’s classic digital reverb sound.
- Massey - CT4 (Full) - [Compressor - TDM]
The CT4 provides clean and smooth gain reduction, with a little punch. Steven Massey designed the CT4 to have both electro-optical and vari-mu characteristics. Users have noted that the CT4 is very good at preserving the "air" of the source material.
- Massey - L2007 (Full) - [Mastering Limiter - TDM]
The L2007 is a mastering-grade look-ahead brickwall limiter. As the result of endless hours of research & development into limiter algorithms, I think you'll find that the L2007 sounds as good as(many would say much better than) anything else out there!
- Massey - Tapehead (Full) - [Saturation/Distortion - TDM]
Add a little saturation to your mix. Make your drums fuller & louder. Add some grit to vocals.
- Massey - TD5 (Full) - [Analog Tape Delay - TDM]
Simply put, the TD5 sounds and acts like a real-life vintage tape delay. Deep, thick, gritty, and three dimensional. The TD5 has up to 2 seconds of delay time, can sync to the Pro Tools tempo map, and provides a number of tonal options.
- Massey - THC (Full) - [Distortion Stompbox - TDM]
THC is a highly accurate analog-modeled distortion pedal. THC delivers true analog-like sonic quality. THC can be used to dirty up any audio material -- try it on vocals, organ, drums, and, of course, guitar.
- Massey - VT3:(Full) - [3-Band EQ - TDM]
The vt3 is a 3-band equalizer with a crisp, unique sound. The vt3 is also extremely DSP efficient. A Pro Tools HD DSP can run up to 34 mono channels. HD Accel can run a whopping 78 channels per DSP.
- Native Instruments - Kontakt 3 - [Virtual Instrument Software Sampler]
The Native Instruments Kontakt 3 Virtual Instrument Software: Sampler. The ultimate software sampler for serious musicians and producers.
Now in its third incarnation, Native Instruments KONTAKT 3 builds on its reputation as the industry standard for professional sampling. The outstanding audio engine – combined with KONTAKT 3’s state-of-the-art modular architecture – provides unlimited sonic potential for your music. Universal file import ensures compatibility to virtually every sample format available. A huge sound collection connects you to a multitude of instruments – now even more powerful and flexible with a reworked GUI that makes playing and tweaking instruments effortless. A staple among Hollywood film composers, KONTAKT 3 is also the premier sampler for artists and producers from across the musical spectrum.
The main features of the Native Instruments Kontakt 3 include:
- Six Instrument Collections (Orchestral, World, Vintage, Band, Synth and Urban Beats) form a sample library of over 20 GB of sounds
- New intuitive ready-to-rock “Performance View“ for each instrument
- Reworked Wave Editor with tools for intuitive looping, slicing, destructive audio editing
- Improved navigation & browser: Modulation quick jumps, instrument navigator
- Over 18 effects, including high-end filters, cabinet simulations and convolution effects
- Enhanced Workflow for Scripts with tabbed views
- Universal import of virtually any sample format on the market (now 26 formats)
- Become an expert easily: new Info Pane in the GUI, comprehensive tutorial videos, cheat sheet poster
- Suited for music production, live performance, instrument and sound design
- High-quality audio engine delivers perfect sound quality
- Huge possibilities to create new sounds
- Intuitive user interfaces for fast and efficient workflows
- Stand-alone, ideal for live performances on stage
- Supports all major plug-in and sample formats for perfect integration in all professional recording environments
- Sony CD Architect 5 - [Standalone]
Professional Red Book Audio CD Mastering
- Sony Noise Reduction 2 - [DirectX®]
The Noise Reduction™ 2.0 plug-in collection is a series of four professional-level, DirectX®, sound restoration plug-ins: Vinyl Restoration™, Noise Reduction, Clipped Peak Restoration™, and Click and Crackle Removal™ plug-ins. Save valuable time and money by applying the Noise Reduction processing power to salvage vintage vinyl recordings, and rescue problem tracks. For basic restoration solutions, use the Noise Reduction plug-in preset parameters, or develop and save your own custom settings for complete control and unlimited flexibility. Whether you're in radio, multimedia, or music production, the Noise Reduction plug-in collection will prove an invaluable addition to your audio editing suite.
- Sony Sound Forge 9 - [Standalone]
The Sound Forge 9 professional digital audio production suite includes everything you need to quickly get from raw audio to finished master. Use this suite to create and edit stereo and multichannel audio files with speed and precision. Efficiently analyze, record and edit audio, digitize and restore old recordings, model acoustic environments, design sound for multimedia, and master replication-ready CDs.
- Sony Sound Forge Mastering Effects Bundle - [Powered by iZotope™]
The Sound Forge Mastering Effects Bundle is a suite of plug-ins powered by iZotope DSP technology. The effects include 64-bit precision and high quality algorithms for exceptional sound, as well as immersive interfaces with metering and graphical feedback to make mastering as quick and easy as possible.
Plug-ins include: Mastering Reverb, Multiband Compressor, IRC Limiter loudness maximizer, and Analog EQ Parametric Equalizer.
- Synchro Arts - VocALign - Project for Pro Tools
- Waves - Mercury - TransX Transient Shaper - [TDM]
Perfect for breathing new life into drum loops, accentuating or attenuating instrumental attacks, and modifying room acoustics, TransX is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.
- Waves - Mercury - UM225 / UM226 - [TDM]
From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today’s full, multi-speaker environments. And when the original multi-track sessions aren’t available, they have to work with stereo mixes.
Presenting the UM225 and UM226 stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.
- Waves - Mercury - API 2500 - [TDM]
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The API 2500 is a versatile dynamics processor that lets you shape the punch and tone of mixes with absolute accuracy. Its dual channel design lets the 2500 also function as two separate mono channels via a single compression setting. Using auto-makeup gain, you can adjust Threshold or Ratio while automatically maintaining a constant output level. With both "feed back" and "feed forward" compression types, the API 2500 boasts a wide range of incredibly musical parameters which have made it a favorite of engineers the world over.
- Waves - Mercury - API 550A - [TDM]
Modeled on the late 1960’s legend, the API 550A EQ provides reciprocal equalization at 15 points in 5 steps of boost divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter can be inserted independently of all other settings. The 550A is a uniquely powerful equalizer with that one-of-a-kind API sound.
- Waves - Mercury - API 550B - [TDM]
Featuring four overlapped EQ bands, the API 550B is invaluable as both a problem solver and a sweetening device. With 7 switchable filter frequencies spanning up to 5 octaves per band, the 550B’s “Proportional Q” automatically widens the filter bandwidth at minimal settings and narrows it at higher settings. It even lets you undo previous processing, affect or even reverse tonal modifications. With its vast range of tonal possibilities, the API 550B is a versatile EQ for all your processing needs.
- Waves - Mercury - API 560 - [TDM]
Based on the 1967 classic, the API 560 10-Band Graphic Equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning. The API 560’s curve shaping potential is unmatched, while API's unique "Proportional Q" design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. And since boost and cut characteristics are identical, previous actions can be easily undone. For precision equalization with unmatched versatility, turn to the EQ heard on top recordings for decades: the API 560.
- Waves - Mercury - AudioTrack - [TDM]
AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plug-in. With equalization, gating, and compression, it’s ideal for multimedia, voiceovers, project studios, and more.v
- Waves - Mercury - C1 - [TDM]
With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.
- Waves - Mercury - C360° Surround Compressor - [TDM]
With its flexible channel coupling and grouping, the C360° Surround Compressor delivers state-of-the-art soft knee compression, engineered especially for high resolution 5.1 Surround production.
- Waves - Mercury - C4 - [TDM]
The ultimate multiband dynamics processor, the C4 does it all: 4-bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from our acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.
- Waves - Mercury - CLA-2A - [TDM]
Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the original’s smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-‘60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. Top it all off with Chris Lord-Alge’s personal presets, and seemingly limitless instantiations, and you’ve got a model that surpasses its inspiration.
- Waves - Mercury - CLA-3A - [TDM]
Based on the early ‘70s solid-state unit known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. And just like the original, the CLA-3A is the bomb on bass, as well as on guitars and vocals. But unlike the original, you can fire up as many instances as your system can handle!
- Waves - Mercury - CLA-76 Blacky & Bluey - [TDM]
Inspired by two highly-desirable revisions of the famed mid-60s Class A line level limiting amplifier, both versions of the CLA-76 (“Blacky” and “Bluey”) offer the superfast attack (as quick as 50 microseconds!) that made the originals studio legends. With an exclusive “ALL” control that recreates the original’s explosive “All-Ratio-Buttons-In” mode, plus modeled pre-amp distortion for that extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable!
- Waves - Mercury - DeBreath - [TDM]
Singers insist on breathing - even when it spoils a perfectly good take! With DeBreath, you can truly take their breath away. DeBreath uses a unique algorithm that automatically detects and separates a vocal take into two distinct tracks: only voice and only breath. Now you can control how much breath you want on your vocal track, and how you want it processed. You can even add room tone where breaths have been removed or reduced. And DeBreath isn’t just for singers; it’s also a great time-saver for voice overs and multimedia.
- Waves - Mercury - DeEsser - [TDM]
When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.
- Waves - Mercury - Doppler - [TDM]
Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With Doppler, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.
- Waves - Mercury - Dorrough Stereo - [TDM]
The Waves Dorrough Meter Collection features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario. As Input Meters to attain optimal recording levels, as Group/Auxiliary Meters to achieve optimal group loudness, or as Master Output meters, the Waves Dorrough Meters do it all!
- Waves - Mercury - Dorrough Surround - [TDM]
The Waves Dorrough Meter Collection —Surround Edition includes the Waves Dorrough stereo meters with all their advanced display features and functions, plus customized meters engineered especially for Surround production environments.
Developed in association with Dorrough Electronics, Waves Dorrough Meters display both average and peak levels and in a single readout, making them the only meters which actually let you see the density of your sound.
- Waves - Mercury - Doubler - [TDM]
When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.
- Waves - Mercury - Eddie Kramer Bass Channel - [Native]
Eddie Kramer on the Bass Channel: "The idea behind the Eddie Kramer Bass Channel was to create a fat bass sound with a lot of presence, that cuts through without being overbearing. In general, the low-mid frequencies are accentuated, so it really pops on radio mixes. That way, you can always hear it clearly, even at low volumes on small speakers. The Bass Channel comes in two flavors: Bass1, which is less compressed, for a more dynamic sound that has room to breathe, and Bass2, a more aggressive sound with increased compression."
- Waves - Mercury - Eddie Kramer Drum Channel - [Native]
Eddie Kramer on the Drum Channel: "The Drum Channel plug-in really captures the essence of my drum sounds. Whether you’re trying to achieve a huge Zep-like sound with loads of atmosphere, or are going for something more dry and down-to-earth like the Stones, or need a heavily-compressed, squashed, Hendrix-type sound, this is the plug-in that will get you there, quickly and easily. Since there are individual modes for bass drums, snares, and so on, you can really mix things up by creating your own hybrid drum kits, using your favorite elements from each."
- Waves - Mercury - Eddie Kramer Effects Channel - [Native]
Eddie Kramer on the Effects Channel: "For the Effects Channel plug-in, I set out to recreate some of the basic elements that I use whenever I’m painting a sonic picture. Over the years, these elements have evolved to suit a variety of sources and styles, from whispering vocals to screaming guitars and beyond.
H-Slap is a shorter delay that emulates tape at 15 inches per second, with some EMT plate reverb at a medium setting.
Z-Slap is a longer delay (7 ½ inches per second) with a bit of feedback and a longer setting on the EMT plate.
Between the two, you’ll easily find the ideal setting for almost anything you can throw at it."
- Waves - Mercury - Eddie Kramer Guitar Channel - [Native]
Eddie Kramer on the Guitar Channel: "The Guitar Channel plug-in features settings for lead guitars and two types of rhythm guitars.
When it comes to lead guitar, I want it to become a living, breathing organism, creating a palpable sense of excitement within in the mix. By combining the right amounts of EQ, compression, delay, reverb, and a touch of flange, these 5 elements, working together, make it come alive.
For rhythm guitar, I try to get it “in your face” as much as possible, without over-processing the sound with EQ. By adjusting the amount of compression, and not overdoing the amount of space, I make sure that the guitar stays up front, where it belongs."
- Waves - Mercury - Eddie Kramer Vocal Channel - [Native]
Eddie Kramer on the Vocal Channel: "When mixing, there’s always a fight going on between the vocal and the rest of the track. For me, what makes a good mix is when all the elements combine seamlessly, complimenting one other. When we designed the Vocal Channel plug-in, we did it in such a way that the user can position the vocals within the mix, and then blend it back into the track, without it popping out, in such a way that it retains all its original clarity and presence."
Vocal Channel features 2 flavors:
Vocals 1, designed for classic rock vocals with a lot of dynamic range and intensity.
Vocals 2, for gentler vocal performances that stay at smoother, steadier levels.
- Waves - Mercury - Enigma - [TDM]
Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.
- Waves - Mercury - GTR3 - [TDM]
From Fender® to Marshall®, Mesa/Boogie® to Vox®, and more, Waves has captured the world’s hottest vintage and contemporary amps, using revolutionary sampling techniques that go way beyond standard modeling. The result is the most amazing guitar tones you will ever hear coming out of your DAW.
- Waves - Mercury - GTR3 - Bass - [TDM]
With 7 slamming bass amps and 6 powerful bass cabs, GTR3 takes bass amplifier modeling a giant step forward. Whatever your sound, whatever your style, GTR3 has got the full rich bass tone you’re looking for, with focused lows, punchy mids, and detailed highs. So when you’re ready to hit rock bottom, GTR3 covers all the basses
- Waves - Mercury - GTR3 - Stomps - [TDM]
From Distortion, Doubler, and Delay to Flanger, Phaser, Fuzz, and more, GTR3 has everything you need to customize your tone. With features like Sync-to-Host BPM and Real-Time MIDI control, it’s never been easier to dial up your sound. And with Waves Tuner’s standard, chromatic, and alternate tunings, you’ll always be pitch perfect.
- Waves - Mercury - H-Comp Hybrid Compressor - [TDM]
H-Comp is a brand new dynamics processor that combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plug-in can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.
- Waves - Mercury - H-Delay Hybrid Delay - [TDM]
From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.
- Waves - Mercury - IDR360 Bit Re-Quantizer - [TDM]
Using patented psycho-acoustic dithering and noise shaping technology, IDR360° reduces the bit-depth of Multi-channel and 5.1 Surround audio with unparalleled clarity and resolution.
- Waves - Mercury - IR1 - Parametric Convolution Reverb - [TDM]
When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb.
- Waves - Mercury - IR360° Surround Convolution Reverb - [TDM]
Major motion pictures in 5.1 Surround require spatial emulation that is 100% believable. Only the astonishing accuracy and complete control of convolution reverb will do. That’s why top sound engineers choose Waves IR360. This phenomenal processor delivers the epic impact of Surround sound using the cutting-edge science of impulse response technology. The result is sound so real, you won’t just hear it. You’ll be there.
- Waves - Mercury - IR-L Parametric Convolution Reverb - [TDM]
When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.
- Waves - Mercury - L1 Ultramaximizer - [TDM]
The plug-in that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.
- Waves - Mercury - L2 Ultramaximizer - [TDM]
For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.
- Waves - Mercury - L3-16 Multimaximizer - [TDM]
Presenting the newest member of Waves’ acclaimed L-Series: the L3-16 Multimaximizer, a 16 band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer™ Peak Limiting Mixer technology, the L3-16 maximizes your sound with pinpoint precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you’ll stand out from the crowd, loud and clear.
- Waves - Mercury - L360 Surround Limiter - [TDM]
Based on the legendary Waves L1 and L2 Ultramaximizers™, the L360° delivers multi-channel brickwall peak limiting, dithering, and noise shaping for the ultimate Surround experience. The audience won’t know what hit them!
- Waves - Mercury - L3-LL Multimaximizer - [TDM]
Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL’s PLMixer™ Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5 band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.
- Waves - Mercury - L3-LL Ultramaximizer - [TDM]
The L3 Ultramaximizer is a special edition of the L3 which is included with Diamond and Platinum bundles covered by Waves Update Plan as well as included with L3 Multimaximizers purchased separately. It delivers the same great sound as the L3 Multimaximizer using an intuitive, streamlined interface.
- Waves - Mercury - LFE360 Low-Pass Filter - [TDM]
Conceived and created especially for Surround and 5.1 mixing applications, the LFE360° lets you filter and enhance the LFE channel with fine-tune precision. Get ready for earth-shaking lows that will rock your Surround environment!
- Waves - Mercury - Linear Phase EQ - [TDM]
Conceived and created with Mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.
- Waves - Mercury - Linear Phase Multiband - [TDM]
Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.
- Waves - Mercury - M360 Surround Manager - [TDM]
When you’re doing Surround sound design or mixing, you need flawless satellite and subwoofer monitoring. For 5.1 studio calibration and bass management, the M360° Surround Manager is indispensable for achieving the perfect balance and spread.
- Waves - Mercury - M360 Surround Mixdown - [TDM]
When you’re doing Surround sound design or mixing, you need flawless satellite and subwoofer monitoring. For 5.1 studio calibration and bass management, the M360° Surround Mixdown is indispensable for achieving the perfect balance and spread.
- Waves - Mercury - Maserati ACG Acoustic Guitar Designer - [Native]
Tony Maserati on the ACG Acoustic Guitar Designer: "The ACG is a comprehensive tool to help gain ultimate control and energy boost from a variety of acoustic guitar types. The ‘ACG 1’ setting allows you to maximize level and sculpt your top and bottom. ‘ACG 2’ setting has more built-in compression for bringing out the subtleties in a live performance. Both have appropriate room settings available to be dialed in at varying levels."
- Waves - Mercury - Maserati B72 Bass Phattener - [Native]
Tony Maserati on the B72 Bass Phattener: "The B72 actually has two distinct starting places. I've worked on a large variety of music for my artists, and there's never just one sound or one preset. Try the 'DI' setting on your electric or acoustic bass and you'll see how you can enhance the roundness, while keeping it lively throughout the song. The 'Synth' setting opens up a different door, with thickness, stereo spread, and harmonic flavor. It’ll fill the speakers like an old Prophet."
- Waves - Mercury - Maserati DRM Drum Slammer - [Native]
Tony Maserati on the DRM Drum Slammer: "The DRM was designed to help the excitement of percussive transients get heard through mixes which are thick with instrumentation and vocals. Whether on programmed or live drums, DRM is a great starting point for your mix."
- Waves - Mercury - Maserati GTi Guitar Toner - [Native]
Tony Maserati on the GTi Guitar Toner: "The GTi was created with all the different guitar players I've admired in mind. I tried to find settings that would be a starting place for getting their sound, from the ‘Clean’ in-your-face sound of, say, Elliott Smith to the wide chorus-y spread of The Police's Andy Summers using the 'Clean Chorus' setting. On the 'Heavy' setting, a bit of level and EQ help your already crunched guitar sound scream through any thick instrumentation you've got. ‘Thick Rhythm' lets you to subtly or substantially make your rhythm guitar sound livelier; it also works great on Wurlis and Horns. The 'Soft Flange' setting is just that; it adds interesting and subtly audible filtering to legato notes or sustained electric guitars. My intention was to make these effects usable in a wide variety of applications. The wild and crazy FX are out there; you already got 'em if you need 'em!"
- Waves - Mercury - Maserati HMX Harmonics Generator - [Native]
Tony Maserati on the HMX Harmonics Generator: "In 'Modal' mode, the HMX will make your piano wide, with just the right amount of chorus effect, to give it life on a vocal demo, or raise your Wurlitzer’s presence, for some ethereal magic. 'Bounce' mode will add a bit of reverb and delay, to create energy and movement for a sensitive ballad or live-ness to a funky full-band setting."
- Waves - Mercury - Maserati VX1 Vocal Enhancer - [Native]
Tony Maserati on the VX1 Vocal Enhancer: "The VX1 is a compact package for full vocal control, whether you need to squeeze the most emotion out subtle performance or engulf it in a room with a full band production. This plug-in has all the processing you need for Vocals.
Contour 1 will give you a studio or small venue room; Contour 2 is a larger chamber with reflective pre-delays, most suited for slow ballads; and Contour 3 is set up for quicker tempo songs with a very small room and matching pre-delay."
- Waves - Mercury - MaxxBass - [TDM]
When you need to seriously pump up your lows, choose MaxxBass®, the bass enhancement technology used on more hit records and major motion pictures than any other. MaxxBass® uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies. For bass you can really feel, it’s got to be MaxxBass®.
- Waves - Mercury - MaxxVolume - [TDM]
The very first plug-in of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool. Combining technologies from Waves' acclaimed L2 Ultramaximizer™, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, MaxxVolume is ideal for mixing and mastering as well as broadcast and post-production, perfect for voiceovers, vocals, and instrumental tracks.
- Waves - Mercury - MetaFlanger - [TDM]
There’s never been anything quite like the sound of great vintage tape flanging and phaser emulation - until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.
- Waves - Mercury - MondoMod - [TDM]
MondoMod utilizes an exclusive combination of linked AM, FM and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.
- Waves - Mercury - Morphoder - [TDM]
Taking the classic sound of the original Vocoder to new heights, Morphoder lets you combine two distinct audio signals to create never-before-heard sonic combinations with unmatched clarity and definition.
- Waves - Mercury - MV2 - [TDM]
With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it’s never been easier to maximize your volume.
- Waves - Mercury - MV360 - [TDM]
MV360° is the ultimate dual function dynamics processor for 5.0 and 5.1 surround applications. With six channels of low level and high level compression, as well as nine versatile Link Modes, the MV360° is the simplest, most flexible way to control your surround sound dynamics.
- Waves - Mercury - Paz Psychoacoustic Analyzer - [TDM]
Amazingly accurate and a breeze to use, the PAZ analyzer generates a comprehensive realtime visual representation of your audio’s stereo positioning, frequency spread, and Peak/RMS levels.
- Waves - Mercury - PS22 - [TDM]
Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono-to-Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.
- Waves - Mercury - PuigChild 660 & 670 - [TDM]
Throughout the vinyl era, the original Fairchild 670 compressor was ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We’ve captured every distinctive nuance of Jack Joseph Puig’s Fairchild 670 along with every detail of its rich harmonic complexity.
- Waves - Mercury - PuigTec EQP-1A - [TDM]
The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The PuigTec EQP-1A is a remarkable replication of Jack Joseph Puig’s original hand-crafted unit, heard on dozens of popular recordings from artists including Weezer, Black Crowes, and Panic At The Disco.
- Waves - Mercury - PuigTec MEQ-5 - [TDM]
The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together comprise a full range vintage EQ chain.
- Waves - Mercury - Q10 Paragraphic Equalizer - [TDM]
The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.
- Waves - Mercury - Q-Clone - [TDM]
There’s nothing like the warmth and character of vintage hardware equalizers. With Q-Clone, you can dig into its massive library of classic EQs, or use the Q-Capture component to model your own hardware favorites. Plus, you can use your captured hardware freely throughout your session, adjusting the sound of each track as if you had dozens of that same equalizer. With so many EQs at your fingertips, Q-Clone is truly an equalization revolution.
- Waves - Mercury - R360 Surround Reverb - [TDM]
Today’s Surround environments deliver new levels of depth and expression; R360° ups the ante, giving you unmatched realism with unprecedented real-time control. Utilizing state-of-the-art tail generation technology from our award-winning Renaissance Reverb, the R360˚ delivers six channels of rich, smooth acoustic modeling for 5.1 mixing environments.
- Waves - Mercury - Renaissance Axx - [TDM]
Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.
- Waves - Mercury - Renaissance Bass - [TDM]
Renaissance Bass delivers Waves patented MaxxBass® psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier!
- Waves - Mercury - Renaissance Channel - [TDM]
A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers unsurpassed flexibility and performance.
- Waves - Mercury - Renaissance Compressor - [TDM]
Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.
- Waves - Mercury - Renaissance DeEsser - [TDM]
Nothing ruins a great vocal track like excess “ess” and “shh” sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.
- Waves - Mercury - Renaissance EQ - [TDM]
Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.
- Waves - Mercury - Renaissance Reverb - [TDM]
With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.
- Waves - Mercury - Renaissance Vox - [TDM]
A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.
- Waves - Mercury - S1 - [TDM]
Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.
- Waves - Mercury - S360 Surround Imager - [TDM]
Surround technology presents exciting new sonic possibilities that go way beyond stereo. Take advantage of these sound opportunities with the S360°. Engineered for the precise manipulation of imaging, distance panning, and spatial enhancement for Surround sound, the S360° generates early reflections and uses shuffling to increase low frequency width and perceived depth.
- Waves - Mercury - S360 Surround Panner - [TDM]
Surround technology presents exciting new sonic possibilities that go way beyond stereo. Take advantage of these sound opportunities with the S360°. Engineered for the precise manipulation of imaging, distance panning, and spatial enhancement for Surround sound, the S360° generates early reflections and uses shuffling to increase low frequency width and perceived depth.
- Waves - Mercury - SoundShifter - [TDM]
The world’s most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity. For tonal transformation and transposition, SoundShifter is simply all you'll ever need.
- Waves - Mercury - SuperTap - [TDM]
Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.
- Waves - Mercury - TrueVerb - [TDM]
Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.
- Waves - Mercury - UltraPitch - [TDM]
When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.
- Waves - Mercury - V-Comp - [TDM]
Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.
- Waves - Mercury - V-EQ3 - [TDM]
Combining the best characteristics from two of the world’s most desirable console modules, the 1066 and 1073, this 3-Band EQ, with its classic cutoff points and adjustable High Pass Filter, is ideal for mixing and mastering. With the V-EQ3, it’s never been easier to achieve the rich classic sound of the ‘60s and ‘70s.
- Waves - Mercury - V-EQ4 - [TDM]
Modeled on the highly sought-after 1081 console module, this classic 4-band equalizer features detailed high frequency boosts plus High Pass and Low Pass Filters. The V-EQ4 captures the characteristic sound of vintage analog gear while providing the limitless flexibility and versatility of the digital environment.
- Waves - Mercury - Waves Center - [TDM]
Ideal for final mixes and mastering, Waves Center is an innovative new processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.
Using a unique dynamic engine which considers the amplitude, frequency, and time envelope of stereo sources, Center gives you the power to radically re-balance your spatial imagery. Adjustable punch, high frequency, and low frequency controls let you enhance detail with maximum impact.
Get centered or get side-tracked. Choose sides or play it down the middle. Find the middle ground, or get a little something on the side. With Waves Center, you really can play the (stereo) field.
- Waves - Mercury - Waves Tune - [TDM]
The singer has just wrapped up an amazing take. The phrasing, the emotion, the delivery, it’s all there. But there are notes you’d like to change, and others that need to be fixed. You need perfect pitch transformation. You need precision realtime editing capabilities. You need Waves Tune. With full ReWire support, formant correction, and an extensive palette of pitch shaping tools, Waves Tune lets you do all your editing right there within your DAW environment - no need to export sections or work offline. Better sounding and more flexible than any other pitch correction processor, Waves Tune will get your vocals back on track.
- Waves - Mercury - X-Click - [TDM]
Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, and digital crosstalk while preserving the sonic integrity of your source material.
- Waves - Mercury - X-Crackle - [TDM]
X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.
- Waves - Mercury - X-Hum - [TDM]
Featuring a friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.
- Waves - Mercury - X-Noise - [TDM]
With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is perfect for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.
- Waves - Mercury - Z-Noise - [TDM]
Hiss happens. So does ground hum, computer noise, and any number of unwanted sonic artifacts. Bring on Z-Noise, and hear them disappear. Featuring real-time noise profiling, innovative transient preservation, and increased low-frequency resolution, Z-Noise truly is a revolution in noise reduction.
- Waves SSL 4000 - SSL E-Channel - [TDM]
Meticulously modeled plug-in based on the legendary SSL 4000 Series. The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its Class A, VCA chip. It’s a slice of the world’s greatest hitmaking machine, in your studio.
- Waves SSL 4000 - SSL G-Equalizer - [TDM]
This four-band equalizer, modeled on the SSL G Series EQ292, offers greater gain change than the E-Series EQ, and a slightly different curve. The SSL G-Equalizer includes a pre-boost dip and a pre-cut rise, as well as a broader Q for more extreme equalization. That’s why many leading engineers use the E-Channel’s equalization for detailed problem-solving and mixing, and the G-Equalizer to shape and give character to the sound.
- Waves SSL 4000 - SSL G-Master Buss Compressor - [TDM]
Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design.
Drum Setup
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Nick Endorses and exclusively plays TAMA drums
Primary Set
Starclassic Bubinga |
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in Cherry Black (CBK) |
| Diameter x Depth |
Drum |
| 22" x 18" |
Kick |
| 16" x 16" |
Floor Tom |
| 14" x 14" |
Floor Tom |
| 12" x 10" |
Tom Tom |
| 10" x 09" |
Tom Tom |
Secondary Set
Superstar Custom |
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in Titanium Fade (CFT) |
| Diameter x Depth |
Drum |
| 22" x 18" |
Kick |
| 16" x 16" |
Floor Tom |
| 14" x 11" |
Tom Tom |
| 12" x 09" |
Tom Tom |
| 10" x 08" |
Tom Tom |
Snare
5.5"x14" Starclassic Copper |
![[SCS1455H] - TAMA 5.5x14 Starclassic Copper](images/Tama/SCS1455H-SM.jpg)
[SCS1455H] |
|
| Rack |
TAMA Power Tower - [PMD800SS] & [PMD80SS] |
| Bass Drum Pedals |
[HP900PTW] - TAMA Iron Cobra Power Glide With [CC900S] - Cobra Coil |
| Hi Hat Pedal |
[HH805] - TAMA Iron Cobra Velo Glide Hi Hat Stand With [HH905XP] - Cobra Clutch |
| Hi Hat |
14" Zildjian Avedis Quick Beat |
| Cymbals |
- 15" A Custom Fast Crash
- 16" Avedis Rock Crash
- 18" Avedis Rock Crash
- 18" Avedis China Low
- 20" A Custom Projection Ride
|
| Heads |
| Drum |
Batter Heads |
Resonant Heads |
| Snares |
Aquarian Hi-Energy |
Aquarian Hi-Performance |
| Toms |
Aquarian Response 2 |
Aquarian Classic Clear |
| Kick |
Aquarian Super-Kick II |
Aquarian Regulator (4 3/4" Hole) Black |
|
| Sticks |
CarboStick 7A Premium |
Instruments
- M-Audio Keystation 49 - Midi Keyboard
- Peavey Cirrus BXP 5 String Bass
- Peavey V-Type Guitar loaded with EMG81 & EMG85 Pickups
Home Studio
- 24bit Digital recording at up to 192Hz (a normal audio CD is 16bit 44.1 kHz)
- Apogee Mini-MP - [Stereo Microphone Pre-Amp]
An amazing sounding, portable mic-pre that is an ideal addition to Apogee conversion systems, mobile studios and pro recording facilities. The Mini-MP gives you Apogee quality, without compromise, that you can take anywhere.
The unit features two individual ultra-fast, high gain and low distortion preamps and has been specially designed for both field and studio recording, resulting in a premium preamp with low power consumption.
- Apogee ROSETTA 800 192 - [24bit/192kHz AD/DA Converter]
The most crucial process in the digital recording environment is high-quality analog to digital conversion and the most trusted and desirable converters are made by Apogee. With up to 192k standard sample rates, the ROSETTA 800 combines Apogee’s legendary conversion quality with flexibility that complements any digital audio workstation.
Legendary Apogee Conversion in High-Definition!
- Apogee X-HD Card - [Connects Apogee converters directly to Pro Tools | HD™]
At last Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-Series-HD option card allows for direct connectivity between Pro Tools HD™ systems and the Rosetta 800. The result is an incredibly powerful combination of Digidesign's™’ industry leading software and a new generation of superior Apogee conversion and clocking hardware that provides a workstation that will excite Apogee and Pro Tools™ fans alike.
- Audient ASP008 - [8 Channel Variable Impedance Mic Pre]
The Audient ASP008 is a compact, 1U rack mount unit featuring eight ultra high quality mic preamplifiers developed from the renowned mic-pre design used in the acclaimed ASP8024 recording console.
The Audient ASP008 features an 8 transistor discrete Class A front end with extended band-width and a noise floor close to the theoretical Johnson limit. Carefully chosen close tolerance components are used to achieve high CMRR at all gain settings and distortion is minimised to less than 0.001% at 20dB gain and +10dBu output. This outstanding technical performance delivers a mic amp with incredible transparency and detail without colouration or other unwanted artefacts.
Each Mic amp also features switchable input impedance, allowing the user to explore the subtle variations in microphone character that are determined by output termination.
All channels include an XLR input, soft start 48V phantom power, switchable input impedance, 25-250Hz hi-pass filter as well as line input selection. Channels 1 and 2 also feature a -20dB attenuator and a high-impedance Instrument/DI input on a front panel mounted jack. LEDs provide indication of signal present and overload.
- Digidesign 96 I/O - [24-Bit/96kHz Multi-Channel Audio Interface for Pro Tools|HD]
The Digidesign 96 I/O offers Pro Tools users a high- resolution, multi-channel audio interface with excellent sonic performance. A 16-channel audio interface for Pro Tools|HD, 96 I/O features a wealth of I/O options, including 8 channels of high- definition analog I/O, 8 channels of ADAT optical I/O, 2 channels of AES/ EBU and S/PDIF I/O, and Word Clock I/O
- Digidesign|Focusrite Command|8 - [Motorised Digital Desk with Total Recall]
- Glyph GT-050Q 500GB - [External Audio Hard Drive]
Designed for high-speed access to audio and video content, while at the same time offering flexible connectivity options, the GT 050Q is the highest performing Quad interface drive on the market today. the GT 050's durable design features an internal power supply, whisper-quiet fan, and 1/8" thick brushed stainless steel face plate. The scratch-resistant black powder-coated aluminum chassis offers additional heat transfer properties while allowing the drive to be lightweight and portable.
- Goldpoint SA2X - [Balanced Line Precision Stepped Attenuator]
Monitor Volume Control & Switching
- Intel Quadzilla - [DAW Computer]
Intel Q6600 Core 2 Quad Processor
Arctic Cooling Freezer 7 Pro Fan (with Arctic Silver 5 Thermal Compound)
Asus P5WDG2 WS Professional - Motherboard
2 x ASUS 7600 GS - 512MB Silent Graphics Cards
8GB (4 x 2 GB) Corsair Dominator TwinX DDR2 PC2-8500 (TWIN2X4096-8500C5DF 4GB Matched Pairs)
1.15TB (Terabyte) Harddrive Storage
2 x TFT LG Flatron Monitors
19" Rack Server Case
- Panasonic TX-37LZD70 - [37" LCD Pro Tools Monitor]
- Pro Tools|HD2 Accel 8.0 - [Industry-Standard Audio Production Environment]
Designed for handling large I/O and track count requirements, the Pro Tools|HD® 2 Accel system combines two dedicated DSP cards, connected via Digidesign’s proprietary TDM II bus architecture, with the processing resources of your computer. This powerful system gives music and post professionals the rock-solid performance of the TDM platform along with more dedicated DSP for plug-in processing.
- 18 DSP chips for powering the mix engine and TDM plug-ins
- Sample-rate support up to 192 kHz
- Support for up to 64 channels of I/O
- Up to 192 simultaneous audio tracks at 44.1/48 kHz (256 total audio tracks)
- Up to 96 simultaneous audio tracks at 96 kHz
- Up to 36 simultaneous audio tracks at 192 kHz
- Up to 160 mono or stereo auxiliary inputs
- Up to 128 instrument tracks
- 256 MIDI tracks
- 128 internal mix buses
Test Equipment
- FLUKE 179 - [Digital Multimeter]
True RMS voltage and current measurements
0.09% basic accuracy
6000 count resolution
Digital display with analog bargraph and backlight
Manual and automatic ranging
Display Hold and Auto Hold
Frequency and capacitance measurements
Resistance, continuity and diode measurements
Temperature measurements
Min-max-average recording
Smoothing mode allows filtering of rapidly changing inputs
Easy battery exchange without opening the case
Closed case calibration through front panel
Ergonomic case with integrated protective holster
EN61010-1 CAT III 1000V / CAT IV 600V
Measures twice as fast as other multimeters
- Tektronix 2215 Oscilloscope - [60MHz Dual Timebase]
Tektronix 2215 is a modern portable Dual Trace Oscilloscope with a bandwidth of 60 MHz. Signals are displayed on a large, bright CRT (8 cm x 10 cm/illuminated graticule). Delayed time measurements.
The 2215A can display four traces; vertical channels 1 and 2 at the A sweep rate, and vertical channels 1 and 2, delayed, at the B sweep rate. Many different trigger modes (also TV line and TV field trigger). Auto-intensity and auto focus.
Vertical deflection:
Deflection factor: 2 mV/cm to 10 V/cm; 1-2-5 sequence; continuously variable between steps to at least 25 V/cm.
Display modes: A, B, ADD (normal and inverted), ALT and CHOP (chop rate 250 MHz)
Horizontal deflection:
Time base A: 0,05 µs/cm to 0.5 s/cm; 10x magnifier extends max sweep rate to 5 ms/cm.
Time base B: 0,05 µs/cm to 50 ms/cm; 10x magnifier extends max sweep rate to 5 ns/cm.
Horizontal display modes: A, alternate, B. Electronic switching between intensified and delayed sweep.
Sweep delay: Continuously variable by means of a vernier control.
XY-Operation up to 2 MHz.
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![[SCS1455H] - TAMA 5.5x14 Starclassic Copper](images/Tama/SCS1455H-LG.jpg)